Real entries for work that actually landed. No roadmap items dressed up as releases.
Every plan, top-up and API-credit pack can be bought from Billing. Upgrades are charged for the rest of the month and add that share of credits at once; downgrades wait for the end of the period you paid for. Credits you buy never expire, and an API key can carry its own monthly credit limit.
Write or say an idea in any of sixteen languages and the director writes the lines in it, with the hook and call to action written natively. Voices, captions and transcription follow the language.
Agency and Enterprise workspaces open a workspace for each client: its own products, wardrobe, places and videos, spending the agency's credits, with usage per client.
Enterprise workspaces connect any OpenID Connect provider, prove their email domains, and can require single sign-on for everyone on them.
Pick a product for a quick clip and the take starts from your actor holding your real product photo, so the bottle, box or jar in the video is yours.
Every character speaks with a voice fitted to them and no two cast members share one. Spoken lines are performed with the lip movement filmed in the take, then turned into the character's own voice, word for word.
Write the next episode of any film. What is always true in a series (who knows what, the running joke, the world) is written once and kept for every episode, and costumes and props carry over.
Signed webhooks are delivered and retried for a day. Accounts can add authenticator codes, export everything as one file, see every sign-in, and delete themselves from Settings.
Say or type the film you want. The director writes the script, casts it from your actors or creates new ones, picks the places and the frame, and draws a storyboard you approve before anything is filmed. Planning costs nothing.
The studio and the API are deployed and serving on their own domains, behind real certificates, with the generation worker running against the production queue.
Placing an actor into a location now re solves pose, stance, scale, grounding and lighting for that space instead of preserving a pose that belonged to a different photograph. Plates are composed at the aspect ratio they will actually be used at.
Each registered video format now carries its own directing documentation and can override its directing language independently, so tuning one format cannot change another.
Formats across UGC, ads, product, YouTube and documentary, each with genuinely different camera awareness, pacing and polish. Verified frame by frame that a documentary format actually keeps the subject from looking at the camera.
Scripts that run longer than a single provider clip are now split across shots automatically, with the remainder kept and offered as the next shot rather than silently cut off.
Vertical, landscape and square are chosen before generation and carried through composition, generation and render rather than cropped afterwards.
Every kind of generation reports into one job view with live status over a stream, rather than a separate status field per resource.
Actors gained versioned identity, appearance controls, natural language editing, expression references and automatic consistency review across views.